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From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.

 

Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding.  Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year –  to meet new characters, and the stories they have to tell.

 

My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing”  – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

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Woody Allen
A Ghostlife Retrospective

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Play It Again, Sam

This is one of less than a handful of movies Woody Allen was heavily involved in but did not direct, but he did write the screenplay based on his own Broadway play of the same name.  He is also the lead actor, so, it counts in my book.  Allen plays, well, Allan, a San Franciscan who has gone through another divorce, and with the help of his friends (played by Diane Keaton and Tony Roberts) he decides to hit the dating scene again. Despite trying to keep up appearances, things don’t always go so well, with Allen’s usual hilarious slapstick comedy accenting his dating troubles.  Meanwhile, because of his obsession with the film Casablanca, the ghost of Humphrey Bogart keeps appearing with “advice” – and that Casablanca theme runs strong throughout the movie. This is a very fun imaginative film, mixed with Allen’s overall ridiculousness (which is a compliment of the highest order), and the supporting performance from Tony Roberts who is always fantastic in every Allen film he appears in.  On top of that, I can’t think of a movie where Diane Keaton looked any more beautiful than in this. A fun, hilarious movie that I can’t recommend enough.

B+

1972

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