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From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.

 

Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding.  Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year –  to meet new characters, and the stories they have to tell.

 

My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing”  – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

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Woody Allen
A Ghostlife Retrospective

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Everything You Always Wanted to Know About Sex But Were Afraid to Ask

What was meant to be a funny movie inspired by a popular book of the same name that came out in the 1960’s, this one unfortunately to me was outweighed by just plain disturbing moments.  The style of the film is series of skits – or chapters – each bringing to life questions raised in the books.  Certain skits are inspired, like Why Do Some Women Have Trouble Reaching an Orgasm?, which is shot in the style of Italian film-making from the 60’s; What Are Sex Perverts? which is a game show in which panelists (including Regis Philbin) attempt to guess a contestant’s perversion; and What Happens During Ejaculation?, in which Woody plays a sperm inside a male who, amongst all the other sperm, are controlled by the men in the brain, played by Tony Randall and Burt Reynolds. Funny and clever stuff, but for me there are two segments portraying incredibly creepy male characters that overpowers what good is in this film.  One involves the wonderful, late Gene Wilder as a doctor who ends up being involved romantically with a sheep, and the other about an older man who likes to dress up in women’s clothes. It’s probably just me, as I can see how people would find those segments funny, but there is just this dark creepiness to it that steers me away from this movie every time I glance at it on the shelf.  It’s not a bad movie, it’s actually quite well made and it was a big hit when it came out, so it’s probably just me, but this is my blog damn it! HA!

C

1972

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