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From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.

 

Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding.  Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year –  to meet new characters, and the stories they have to tell.

 

My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing”  – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.

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Woody Allen
A Ghostlife Retrospective

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A Midsummer Night's Sex Comedy

For me the key to this movie is it’s atmosphere – which is something generally not prevalent in Woody’s movies.  Badminton, lemonade, sex, humidity, fireflies, parasols, ‘the hissing of summer lawns’ if you will.  It’s all front and center in this WHIMSICAL comedy – one of my favorites from Allen.  Here he plays an early 1900’s crackpot inventor who along with his wife invite a few couples out to the countryside for a summer’s weekend.  As the hours pass, romantic entanglements become intertwined as the summer hours drone on and on. There’s not a whole lot to say about this movie, as it’s a very light comedy, with nothing to say as it just breezes by.  But that’s what makes it so lovely.  Isn’t that what people want in the summer? A time to relax and to soak in the weather and the peace & quiet.  This movie, and it’s cast, captures that sentiment perfectly. Perfection.

A+

1982

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