From October 2010 to October 2011 I revisited each film from writer, director, and actor Woody Allen in preparation for 2011 – the 40th anniversary of the release of what is considered by many to be Allen’s first film, Bananas. Of course he did release a few films prior, but it was Bananas that was the first to begin the yearly string of releases that came to be known as the quintessential Woody Allen film.
Allen has for years been one of my top five favorite directors, and looking back at his long career (one film per year for 40 years) it’s really quite astounding. Sure, it’s true that most of the time Allen doesn’t branch out nearly as much as other filmmakers. But there is a particular and familiar universe that he has created and lives in 99% of the time, and it’s a style all his own, a world where he invites you into every year – to meet new characters, and the stories they have to tell.
My reviewing skills are admittedly not very strong, and the famous quote from Truman Capote – “it isn’t writing at all – it’s typing” – is never more prevalent than with these short reviews, but none the less this was very fun for me to revisit all these movies again over the past months – and exciting to share at least a few of my basic thoughts to the world (ha!) on one of my top five favorite filmmakers. The timing couldn’t be more fitting as well not only because of the 40th anniversary of Bananas, but because that year saw the release, surprisingly enough, of Allen’s biggest financial success in the United States – Midnight in Paris. These are in order of release, beginning with 1971’s Bananas and ending with 2011’s Midnight in Paris.
Woody Allen
A Ghostlife Retrospective
Annie Hall
I generally don’t 100% agree with the general consensus by people when they talk about any director’s best work, but with Woody Allen I do. This movie is pure perfection. I mean, when is the last time a comedy won for Best Picture at the Academy Awards? Ok, it was Annie Hall in 1977. Allen’s observations on falling in and out of love, his observations on types of people he and everyone encounter every day, his ease of blending his one-liner style of stand up comedy and hilariously surreal vignettes (a more progressed version of what Allen did in ‘Everything You Always Wanted…‘) into a linear plot line; it’s a recipe for greatness. Annie Hall is a hilarious film with outstanding performances from Diane Keaton and Allen, and unlike some of Allen’s other work, it’s brilliance that appeals to the masses on a grand scale – there’s something for everyone to relate to. I can”t recommend this movie enough. La di da indeed.
A+
1977